fer1972:

Oil on Canvas Paintings by Mark Demsteader
fer1972:

Oil on Canvas Paintings by Mark Demsteader
fer1972:

Oil on Canvas Paintings by Mark Demsteader
fer1972:

Oil on Canvas Paintings by Mark Demsteader
fer1972:

Oil on Canvas Paintings by Mark Demsteader
adamgoldberg:

today reunited diminishing hoard of polaroid chocolate with lately neglected long suffering mistress mamiya universal press. 
adamgoldberg:

today reunited diminishing hoard of polaroid chocolate with lately neglected long suffering mistress mamiya universal press. 
adamgoldberg:

today reunited diminishing hoard of polaroid chocolate with lately neglected long suffering mistress mamiya universal press. 
adamgoldberg:

today reunited diminishing hoard of polaroid chocolate with lately neglected long suffering mistress mamiya universal press. 
adamgoldberg:

today reunited diminishing hoard of polaroid chocolate with lately neglected long suffering mistress mamiya universal press. 
adamgoldberg:

today reunited diminishing hoard of polaroid chocolate with lately neglected long suffering mistress mamiya universal press. 

adamgoldberg:

today reunited diminishing hoard of polaroid chocolate with lately neglected long suffering mistress mamiya universal press. 

mydarkenedeyes:

The Gentleman Amateur
mydarkenedeyes:

The Gentleman Amateur
mydarkenedeyes:

The Gentleman Amateur
mydarkenedeyes:

The Gentleman Amateur
mydarkenedeyes:

The Gentleman Amateur
mydarkenedeyes:

The Gentleman Amateur
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew
cross-connect:


Haejung Lee- New works for 2014haejunglee@justhaejunglee.comMy obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.
Tumblr
Posted to Cross-Connect by Andrew

cross-connect:

Haejung Lee- New works for 2014

haejunglee@justhaejunglee.com

My obsession of documentation has became a major influence in my artistic practice. Each work represents a little piece of me that has been archived, otherwise may be forgotten through time. Works can contain fragments of memories, moments within time, or internal struggles that may still be on-going or have passed through life. In order to fully express the complexity of the subject matter, I juxtapose elements within reality in a surrealistic manner. In this way, I create a photographic image that captures the both visual and emotional factor of the subject matter. The works are presented to the viewers in hope of evoking their own life’s details and find beauty in the little details that make up who they are.

Tumblr

Posted to Cross-Connect by Andrew

(vía slowartday)

myampgoesto11:

Alan John Herbert: The Body 
hand drawn photogram on top of a medium format photo.
Mamiya medium format with ilford HP5 plus film
My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Alan John Herbert: The Body 
hand drawn photogram on top of a medium format photo.
Mamiya medium format with ilford HP5 plus film
My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Alan John Herbert: The Body 
hand drawn photogram on top of a medium format photo.
Mamiya medium format with ilford HP5 plus film
My Amp Goes To 11: Twitter | Instagram

myampgoesto11:

Alan John Herbert: The Body 

hand drawn photogram on top of a medium format photo.

Mamiya medium format with ilford HP5 plus film

My Amp Goes To 11Twitter | Instagram

leslieseuffert:

Melih Dönmezer (Turkey)  High Contrast Photo Manipulations, 2014
leslieseuffert:

Melih Dönmezer (Turkey)  High Contrast Photo Manipulations, 2014
leslieseuffert:

Melih Dönmezer (Turkey)  High Contrast Photo Manipulations, 2014
leslieseuffert:

Melih Dönmezer (Turkey)  High Contrast Photo Manipulations, 2014
leslieseuffert:

Melih Dönmezer (Turkey)  High Contrast Photo Manipulations, 2014
leslieseuffert:

Melih Dönmezer (Turkey)  High Contrast Photo Manipulations, 2014

leslieseuffert:

Melih Dönmezer (Turkey)  High Contrast Photo Manipulations, 2014

ruineshumaines:

Asphyxia by Flora Borsi.
This artist is on Tumblr!
Previously blogged here.
ruineshumaines:

Asphyxia by Flora Borsi.
This artist is on Tumblr!
Previously blogged here.
ruineshumaines:

Asphyxia by Flora Borsi.
This artist is on Tumblr!
Previously blogged here.
ruineshumaines:

Asphyxia by Flora Borsi.
This artist is on Tumblr!
Previously blogged here.

ruineshumaines:

Asphyxia by Flora Borsi.

This artist is on Tumblr!

Previously blogged here.

artchipel:

Artist on Tumblr
Véronique Buist | on Tumblr (b.1987, Canada/France) - L’imposture (2013-2014)
After obtaining a Bachelor’s Degree in Visual and Media Arts from the Université du Québec à Montréal (UQÀM), creation has always been a starting point for Véronique Buist to realize various projects. Being involved in different backgrounds such as graphic design, publishing, cinema and event design, her interest for all art forms had quickly turned into a multidisciplinary tool. Since her graduation, the artist completed several exhibitions, solo and collective, in addition to managing artistic events. Born in Montreal, the artist currently work and live in Paris. She reinterpret everyday rituals and try to make them more delightful and intelligent using illustration, photography, collage and writing.
 In L’Imposture series, photographs whose context is unknown are trafficked through painting, drawing, cutting and embroidery. This gesture is a personal and subjective translation of the collected images. By modifying the memories of others, all notions of interpretation, memory and time effects are challenged. This impostor role brings out new stories by generating a different point of view of the same situation.
© All images courtesy of the artist
[more Véronique Buist]
artchipel:

Artist on Tumblr
Véronique Buist | on Tumblr (b.1987, Canada/France) - L’imposture (2013-2014)
After obtaining a Bachelor’s Degree in Visual and Media Arts from the Université du Québec à Montréal (UQÀM), creation has always been a starting point for Véronique Buist to realize various projects. Being involved in different backgrounds such as graphic design, publishing, cinema and event design, her interest for all art forms had quickly turned into a multidisciplinary tool. Since her graduation, the artist completed several exhibitions, solo and collective, in addition to managing artistic events. Born in Montreal, the artist currently work and live in Paris. She reinterpret everyday rituals and try to make them more delightful and intelligent using illustration, photography, collage and writing.
 In L’Imposture series, photographs whose context is unknown are trafficked through painting, drawing, cutting and embroidery. This gesture is a personal and subjective translation of the collected images. By modifying the memories of others, all notions of interpretation, memory and time effects are challenged. This impostor role brings out new stories by generating a different point of view of the same situation.
© All images courtesy of the artist
[more Véronique Buist]
artchipel:

Artist on Tumblr
Véronique Buist | on Tumblr (b.1987, Canada/France) - L’imposture (2013-2014)
After obtaining a Bachelor’s Degree in Visual and Media Arts from the Université du Québec à Montréal (UQÀM), creation has always been a starting point for Véronique Buist to realize various projects. Being involved in different backgrounds such as graphic design, publishing, cinema and event design, her interest for all art forms had quickly turned into a multidisciplinary tool. Since her graduation, the artist completed several exhibitions, solo and collective, in addition to managing artistic events. Born in Montreal, the artist currently work and live in Paris. She reinterpret everyday rituals and try to make them more delightful and intelligent using illustration, photography, collage and writing.
 In L’Imposture series, photographs whose context is unknown are trafficked through painting, drawing, cutting and embroidery. This gesture is a personal and subjective translation of the collected images. By modifying the memories of others, all notions of interpretation, memory and time effects are challenged. This impostor role brings out new stories by generating a different point of view of the same situation.
© All images courtesy of the artist
[more Véronique Buist]
artchipel:

Artist on Tumblr
Véronique Buist | on Tumblr (b.1987, Canada/France) - L’imposture (2013-2014)
After obtaining a Bachelor’s Degree in Visual and Media Arts from the Université du Québec à Montréal (UQÀM), creation has always been a starting point for Véronique Buist to realize various projects. Being involved in different backgrounds such as graphic design, publishing, cinema and event design, her interest for all art forms had quickly turned into a multidisciplinary tool. Since her graduation, the artist completed several exhibitions, solo and collective, in addition to managing artistic events. Born in Montreal, the artist currently work and live in Paris. She reinterpret everyday rituals and try to make them more delightful and intelligent using illustration, photography, collage and writing.
 In L’Imposture series, photographs whose context is unknown are trafficked through painting, drawing, cutting and embroidery. This gesture is a personal and subjective translation of the collected images. By modifying the memories of others, all notions of interpretation, memory and time effects are challenged. This impostor role brings out new stories by generating a different point of view of the same situation.
© All images courtesy of the artist
[more Véronique Buist]
artchipel:

Artist on Tumblr
Véronique Buist | on Tumblr (b.1987, Canada/France) - L’imposture (2013-2014)
After obtaining a Bachelor’s Degree in Visual and Media Arts from the Université du Québec à Montréal (UQÀM), creation has always been a starting point for Véronique Buist to realize various projects. Being involved in different backgrounds such as graphic design, publishing, cinema and event design, her interest for all art forms had quickly turned into a multidisciplinary tool. Since her graduation, the artist completed several exhibitions, solo and collective, in addition to managing artistic events. Born in Montreal, the artist currently work and live in Paris. She reinterpret everyday rituals and try to make them more delightful and intelligent using illustration, photography, collage and writing.
 In L’Imposture series, photographs whose context is unknown are trafficked through painting, drawing, cutting and embroidery. This gesture is a personal and subjective translation of the collected images. By modifying the memories of others, all notions of interpretation, memory and time effects are challenged. This impostor role brings out new stories by generating a different point of view of the same situation.
© All images courtesy of the artist
[more Véronique Buist]

artchipel:

Artist on Tumblr

Véronique Buist | on Tumblr (b.1987, Canada/France) - L’imposture (2013-2014)

After obtaining a Bachelor’s Degree in Visual and Media Arts from the Université du Québec à Montréal (UQÀM), creation has always been a starting point for Véronique Buist to realize various projects. Being involved in different backgrounds such as graphic design, publishing, cinema and event design, her interest for all art forms had quickly turned into a multidisciplinary tool. Since her graduation, the artist completed several exhibitions, solo and collective, in addition to managing artistic events. Born in Montreal, the artist currently work and live in Paris. She reinterpret everyday rituals and try to make them more delightful and intelligent using illustration, photography, collage and writing.

In L’Imposture series, photographs whose context is unknown are trafficked through painting, drawing, cutting and embroidery. This gesture is a personal and subjective translation of the collected images. By modifying the memories of others, all notions of interpretation, memory and time effects are challenged. This impostor role brings out new stories by generating a different point of view of the same situation.

© All images courtesy of the artist

[more Véronique Buist]

anitaleocadia:

Flóra Borsi - IRÉEL
anitaleocadia:

Flóra Borsi - IRÉEL
anitaleocadia:

Flóra Borsi - IRÉEL
anitaleocadia:

Flóra Borsi - IRÉEL
anitaleocadia:

Flóra Borsi - IRÉEL
anitaleocadia:

Flóra Borsi - IRÉEL
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine
likeafieldmouse:

Sarah Schönfeld - All You Can Feel
"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.
All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.
What do all these substances actually look like when their essence is visually depicted?
Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which hadalready been exposed. Each drop altered the coating of the film.
Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.
She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”
1. Valium
2. Ketamine
3. Speed
4. Crystal Meth
5. Solian
6. Magic
7. Orphiril
8. Pharmaceutical Speed
9. Dopamine 
10. Cocaine

likeafieldmouse:

Sarah Schönfeld - All You Can Feel

"Since the 1950s, we in the western world have increasingly come to understand our most intimate desires and experiences as the products of a so-called ‘chemical self’. We can explain moods, angers and diseases both physiological and psychological as an imbalance of substances in the body.

All of this, of course, takes place against the backdrop of a constantly shifting legal and political climate regarding the regulation of different types of mood-altering substances.

What do all these substances actually look like when their essence is visually depicted?

Schönfeld squeezed drops of various legal and illegal liquid drug mixtures onto negative film which had
already been exposed. Each drop altered the coating of the film.

Much like the effect of some of these substances on humans, this can be a lengthy process – sometimes one that can barely be stopped.

She then enlarged these negatives including the chemical reaction of the particular drug, to sizes of up to 160 x 200cm.”

1. Valium

2. Ketamine

3. Speed

4. Crystal Meth

5. Solian

6. Magic

7. Orphiril

8. Pharmaceutical Speed

9. Dopamine 

10. Cocaine

takethefirstleft:

The eyes are the window to the soul
takethefirstleft:

The eyes are the window to the soul
takethefirstleft:

The eyes are the window to the soul

takethefirstleft:

The eyes are the window to the soul

nicholasmax:

Pages from my sketchbook. 
FACEBOOK INSTAGRAM WEBSITE  TWITTER 
nicholasmax:

Pages from my sketchbook. 
FACEBOOK INSTAGRAM WEBSITE  TWITTER 

Owen Perry

Owen Perry

Owen Perry

Owen Perry
artchipel:

Thomas Kellner (Germany)
When Kodak Germany awarded Thomas Kellner the Young Professionals Prize, he decided on a life in art and photography. In 1997, he finally started working on the contact sheet method to visually deconstruct architectural icons. His trademark style was born. Since then, the german artist has been shooting prominent monuments all over the world. His images are asking to challenge usual perspectives – the buildings seem to be broken apart, dancing and remind us of the vulnerability of our values and creations: 
"I want to break manifold ways of perception to my audience. My main interests have always been in finding strong visual languages that are powerful enough to tell us something about their subjects that more "realistic" images cannot do. Right from the beginning of my studies, my basic interest was in experimental and conceptual photography. I created different pinhole series, photogram work and printings in alternative techniques, such as cyanotype, saltpaper and others."
© All images courtesy of the artist
[more Thomas Kellner | artist recommended by sourglass]
artchipel:

Thomas Kellner (Germany)
When Kodak Germany awarded Thomas Kellner the Young Professionals Prize, he decided on a life in art and photography. In 1997, he finally started working on the contact sheet method to visually deconstruct architectural icons. His trademark style was born. Since then, the german artist has been shooting prominent monuments all over the world. His images are asking to challenge usual perspectives – the buildings seem to be broken apart, dancing and remind us of the vulnerability of our values and creations: 
"I want to break manifold ways of perception to my audience. My main interests have always been in finding strong visual languages that are powerful enough to tell us something about their subjects that more "realistic" images cannot do. Right from the beginning of my studies, my basic interest was in experimental and conceptual photography. I created different pinhole series, photogram work and printings in alternative techniques, such as cyanotype, saltpaper and others."
© All images courtesy of the artist
[more Thomas Kellner | artist recommended by sourglass]
artchipel:

Thomas Kellner (Germany)
When Kodak Germany awarded Thomas Kellner the Young Professionals Prize, he decided on a life in art and photography. In 1997, he finally started working on the contact sheet method to visually deconstruct architectural icons. His trademark style was born. Since then, the german artist has been shooting prominent monuments all over the world. His images are asking to challenge usual perspectives – the buildings seem to be broken apart, dancing and remind us of the vulnerability of our values and creations: 
"I want to break manifold ways of perception to my audience. My main interests have always been in finding strong visual languages that are powerful enough to tell us something about their subjects that more "realistic" images cannot do. Right from the beginning of my studies, my basic interest was in experimental and conceptual photography. I created different pinhole series, photogram work and printings in alternative techniques, such as cyanotype, saltpaper and others."
© All images courtesy of the artist
[more Thomas Kellner | artist recommended by sourglass]
artchipel:

Thomas Kellner (Germany)
When Kodak Germany awarded Thomas Kellner the Young Professionals Prize, he decided on a life in art and photography. In 1997, he finally started working on the contact sheet method to visually deconstruct architectural icons. His trademark style was born. Since then, the german artist has been shooting prominent monuments all over the world. His images are asking to challenge usual perspectives – the buildings seem to be broken apart, dancing and remind us of the vulnerability of our values and creations: 
"I want to break manifold ways of perception to my audience. My main interests have always been in finding strong visual languages that are powerful enough to tell us something about their subjects that more "realistic" images cannot do. Right from the beginning of my studies, my basic interest was in experimental and conceptual photography. I created different pinhole series, photogram work and printings in alternative techniques, such as cyanotype, saltpaper and others."
© All images courtesy of the artist
[more Thomas Kellner | artist recommended by sourglass]
artchipel:

Thomas Kellner (Germany)
When Kodak Germany awarded Thomas Kellner the Young Professionals Prize, he decided on a life in art and photography. In 1997, he finally started working on the contact sheet method to visually deconstruct architectural icons. His trademark style was born. Since then, the german artist has been shooting prominent monuments all over the world. His images are asking to challenge usual perspectives – the buildings seem to be broken apart, dancing and remind us of the vulnerability of our values and creations: 
"I want to break manifold ways of perception to my audience. My main interests have always been in finding strong visual languages that are powerful enough to tell us something about their subjects that more "realistic" images cannot do. Right from the beginning of my studies, my basic interest was in experimental and conceptual photography. I created different pinhole series, photogram work and printings in alternative techniques, such as cyanotype, saltpaper and others."
© All images courtesy of the artist
[more Thomas Kellner | artist recommended by sourglass]
artchipel:

Thomas Kellner (Germany)
When Kodak Germany awarded Thomas Kellner the Young Professionals Prize, he decided on a life in art and photography. In 1997, he finally started working on the contact sheet method to visually deconstruct architectural icons. His trademark style was born. Since then, the german artist has been shooting prominent monuments all over the world. His images are asking to challenge usual perspectives – the buildings seem to be broken apart, dancing and remind us of the vulnerability of our values and creations: 
"I want to break manifold ways of perception to my audience. My main interests have always been in finding strong visual languages that are powerful enough to tell us something about their subjects that more "realistic" images cannot do. Right from the beginning of my studies, my basic interest was in experimental and conceptual photography. I created different pinhole series, photogram work and printings in alternative techniques, such as cyanotype, saltpaper and others."
© All images courtesy of the artist
[more Thomas Kellner | artist recommended by sourglass]

artchipel:

Thomas Kellner (Germany)

When Kodak Germany awarded Thomas Kellner the Young Professionals Prize, he decided on a life in art and photography. In 1997, he finally started working on the contact sheet method to visually deconstruct architectural icons. His trademark style was born. Since then, the german artist has been shooting prominent monuments all over the world. His images are asking to challenge usual perspectives – the buildings seem to be broken apart, dancing and remind us of the vulnerability of our values and creations:

"I want to break manifold ways of perception to my audience. My main interests have always been in finding strong visual languages that are powerful enough to tell us something about their subjects that more "realistic" images cannot do. Right from the beginning of my studies, my basic interest was in experimental and conceptual photography. I created different pinhole series, photogram work and printings in alternative techniques, such as cyanotype, saltpaper and others."

© All images courtesy of the artist

[more Thomas Kellner | artist recommended by sourglass]

likeafieldmouse:

Curtis Mann - Paper Fragments on GMC
likeafieldmouse:

Curtis Mann - Paper Fragments on GMC
likeafieldmouse:

Curtis Mann - Paper Fragments on GMC
likeafieldmouse:

Curtis Mann - Paper Fragments on GMC
likeafieldmouse:

Curtis Mann - Paper Fragments on GMC
likeafieldmouse:

Curtis Mann - Paper Fragments on GMC
likeafieldmouse:

Curtis Mann - Paper Fragments on GMC